fabrizio martina, the man behind jolly mare, is a champion turntablist, with a master degree in mechanical engineering and a phd in vibration dynamics under his belt. he s currently a full time producer and dj, taking part in festivals across europe from sonar to harvey s discotheque stage at bestival. a graduate of red bull music academy in new york, he has opened acts from masters at work to roy ayers, worked with the likes of soul clap and thundercat, and has already been featured in the likes of pitchfork, mixmag and okayplayer with his dream-like brand of cosmic disco and house.

new emmanuel top label. lost in berlin is a mechanical angry monster with multiple arms that swings around for destruction. it’s unstoppable for words, you have to accept the fact that you have been hit by a concrete wall. what i love in records is the menace inside it that builds up. the impossible energy that drags you in to this tunnel of a white dimension with grey electric colors. bipolaire: it all starts with a kick, not a simple kick but a et kick and before you know it you are struck by lightning. the subs are playing with you, simple but again with atomic temperature. the acid sound that hits you is never going to surrender his inferior temper. capture: only that words remind me of the spirit capture and it’s not easy make an equivalent of the original that is not even made with the inspiration of the mod wheel. it’s not just a wicked intro that can take you to different roads. you can decide what way you will take but be careful with what comes next.

they say you have your whole life to make your first album, years upon years of growth, learning and experience filtered into one perfect record. your debut is supposed to be the one you labour over, while the follow-up is meant to be served up within spitting distance of the last. well, not if you’re london based wild palms. “we did that in reverse,” explains the band’s sardonic, quick-witted frontman lou hill. “the first album was just the songs that we would play live, we wrote it really quickly. but this one took ages...” five years in fact.
recorded by the band in the same self-built manor house studio where they made their 2011 de-but ‘until spring’, the new album ‘live together, eat each other’ is a lusciously layered offering of hazy experimentalism and off-kilter alt-pop, that follows in the auspicious lineage of beach house, cocteau twins and tv on the radio.
the vinyl lp is housed in a gatefold sleeve with download code included.

heard on “melancholia” are interpretations of honzo’s subconscious visions of life. the intense compositions are made up of drones, noises and distorted beats moving in and out of the frame. on opener “orientalism” said elements blend with hi-hat brushes, brassy synth pads, sci-fi noises and distant human voices evoking islam’s “adhan” (call to prayer). the theme contemplates over alienation caused by western accounts of “orientalism”, soaked in “hüzün” (the turkish term for melancholia). on a2 a rework of “moral masochism” is provided by the mysterious shadows outfit, starting with a distorted guitar over a slow and gritty rhythmic backbone which gradually turns into a chaotic high-intensity acid jam on the ep’s most dance floor suitable cut. on the flipside, “lovesickness” presents a broken kick rhythm periodically flipped by toms and accompanied by a disorienting hi-hat rhythm, ghostly strings and sporadic human moans – all resulting in a tribal mood, recalling a ceremony, perhaps a quest for a saviour from the blue temper? b2 presents the “moral masochism” original. again a distorted guitar plays over a slow rhythm, but compared to the remix, the original’s intensity is introverted, contemplating over melancholia’s effect of deriving gratification from self-inflicted moral humiliation. ambient closer “emptiness” explores a cold state with such an encapsulating airiness that it feels like a close account of another person’s mood down to the impression of their breath. arpeggiated synth noises appear from a distance representing increasing pressure from the outside world without ever suppressing the state of mind. as a result, “emptiness” sums up the state of melancholia experienced as a mood rather than the effect of a cause.

close to the days of the days, when the maya calendar will come to an end and somthing special is waiting for human beeing, two smart fellas from berlin are contrebuting this happening with the so called popocatepetl ep. popocatepetl is a yet sleeping massive vulcano in mexico, who just recently rumbled to life. it looks like this ep will come up with the same energy and power. four tracks with many statements and diversity and still homogeneous in their substance. to find an own style and esspecialy an own sound is what the two try to push to the fore. if we compare this release to their last successful released track on tonkind schmalwild, we hear this major line, where a transperent empathy is to find. kotelett & zadak, showing on this ep their ability to creat dance music with a certain flow and groove which makes you feel aloof and hot but still laid-back and relaxed. it just shows their own temper and shows us why, this two guys are one of the most beloved djs in berlins underground scene. its their personal spirit what comes up in the music, that makes this release sound so authentic. hopefully people will notice, yet even without any dramatic fireworks, popo has the power to wreak havoc.

after the success of the first release rooted series is back with new 4 track v/a from really well known and talented artists. deep/minimal/organic/house sounds for different times in every set.

alec troniq continues his impacting uncrufter series on ipoly with a new improved formula – model number 2000. fauxpas on a-side elates for a thorough spring-cleaning and teases out a positive temper for the coming season. for kallewürsch! on b1 he picked up some cuckoo grooves by ka.rambolage and goes berserk with em. subsequently mr. troniq takes possession of the tube on b2 and haunts the place with pounding announcements.

millie & andrea are miles whittaker and andy stott, fellow labelmates at modern love who collaborated on an occasional series of 12inch releases between 2008 and 2010. its been four years since we last heard from them but they now return with drop the vowels, their debut album.

für clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken geloester, weil man beim umgang mit material anderer kuenstler mehr freiheiten genießt

stoming journey to chicago , from house to techno... , coloured vinyl

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

13 tracks triple-vinyl celebrating 20 years of industrial strength records. featuring the outside agency, hellfish & producer, stormtrooper, wavelan, dj gizmo, tymon, neophyte, drokz, tieum, akira ...

with the very first release on polynom thomas stieler presented an euphonious sounding interpretation of look for the sin, which stems from daniel schwarzs dubby original. the labels second release is coming up now titled my soul. this track has the signature of thomas stieler and shows, what emotion and commitment within arragement means. thereby a warm, phantasic balanced and primarily harmonic and qualitative valuable house track that creates a gracile level of comfort by its deep and artful temper relatio focussing the dance floor as balanced staging area. in the soulmate-remix by less the original is applied by a dynamic portion of drive, which absorbes the aesthetics of my soul and polarises therefore with pressure. doing this less is never loosing the reference to the classic message of the original. hes just additionally seasonning as taste is as well-known varying. strictly ltd, no repress

incl live act by elektrodrei! big with laurent garnier, luciano, stephan bodzin, luca dobbie, patrick bateman. following the successful memories ep on owspezi006, elektrodrei have shown us where their road will go to. now they will up the ante with soebenuntwintig and the two tracks >w.b.f.< and >human reaction<, to sound the bell for the festival season on the premises of ostwind. 2 sweeping tunes bursting with temper just as going under your skin. no doubt they will raise the roof of every festival stage. halleluja!

big with laurent garnier, luciano, stephan bodzin, luca dobbie, patrick bateman. following the successful memories ep on owspezi006, elektrodrei have shown us where their road will go to. now they will up the ante with soebenuntwintig and the two tracks >w.b.f.< and >human reaction<, to sound the bell for the festival season on the premises of ostwind. 2 sweeping tunes bursting with temper just as going under your skin. no doubt they will raise the roof of every festival stage. halleluja!

alejandro the argentinian fellow, also known for his monikas >funzion< and >e bridge<, released on lomidhigh, alphahouse and sushitech among others, presents us two energetic musical journeys for the meander imprint. this is warm and funky music, simply pure and rich in its dynamic, drive and groove. stunning and very ajejandros own style. the track selva introduces itsself with a temper didgeridoo eclecticism. followed by lush heavy sub basses with a dash of acid and wandering crispy sounds, his tricky rhythm programmings are blowing us away into dramatic dancefloorbliss. spiced up toms between high frequent synthesizers underline its constant presence. a melodic, organic and crafty piece of house music. on the flipside we have >pampa<. the obviously traditional south american influences of our talent merge with modernism, fluxion and frequency precision. an emotional trip that let somehow emerge images of dreamy landscapes while being still a dance orientated killer tune. with this record alejandro emphasizes his creativity as a standout producer for dense and powerfull creations

new kid on the block jacob korn (dresden, germany yall!) convinced sometime somewhere in toronto with a hearty live set that took a route over hip hop, down tempo house and all kinds of funkiness until it peaked with the disco-house-craze >i like the sun (but not on leds)<. much to the delight of a present running back a&r. hands were shook and it took only 2 and a half years until the test pressing arrived. supplemented with the slow burning >selene< that really gets you the second time around, prevents the typical mistakes current deep house likes to make (at least, we think so) and is the sun gods sister, the a-side is good to go. flip the script to see prins thomas in a good temper, rolling out the red carpet with one of his tried and tested remixes. >i like the sun< piles up to 13 minutes of true diskomiks glory including drums that go on forever (bonus beats, yall!) and some eye-cue-markers for those of you who are deaf already. well, swell

4 track massacre by na goyah and dj kristof!

at warp we believe clark is a primary torch bearer amongst a new generation of artists who continue the vision that warp was built on, making innovative and boundary pushing electronic music that is difficult to replicate. with every release this belief strengthens.

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

tom dazing is an upcoming artist from brussels who has released on mb selektions, heimatmelodie, coincidence, veryverywrongindeed and toysforboys already and with his new ep >black magic< releases his debut on trapez. tom has a powerful production technique and a cool old school appeal which he fuses with modern sound design. his new release features >divulge< and >cable strap< two peak time techno trax with a heavy 303 bassline that will rock all big floors. >divulge< the a-side is destined to be a berghain hit. the track is a monster. its attitude is down to earth... keeps it simple but effective. >cable strap< on the flipside is a new modern version of music that we believe used to be the post chicago sound manifested by robert armani and friends. >cable strap< is a super cool heavy rocker with a siren sound that will turn clubs upside down, joined by delicate use of 303 basslines. >temper< the digital bonus track has more of an atmospheric deep feeling to it! tom has been voted in belgium in the top 10 chart of the best national producers in 2007 and 2008 and was voted into the to chart top 10 national live acts

3 floor-storming techno weapons, made by sean colt in 2000.

support by:andre galluzzi, gregor tresher, sebastien leger, oliver koletzki, nick warren, terry lee brown junior, roberto rodriguez , anderson noise, hernan cattaneo, robert babicz aka rob acid is back on circle music. the last strike from robert on circle music was the great and lyrical remix of dan corcos >new world<. he also convinced with his atmospherical work on way out wests >spaceman< on hope recordings and ruled on sytematic with the big album release >a cheerful temper<. robert, who is one of germanys very early techno and electro heroes, appeared on the last cricle music compilation with the unique >invasion< and will alo appear on the next circle compilation >the mechanic sound of nature<. for this it is only logical for the co-founder of shortcut records to release his latest two dancefloor sensations on circle.

the clubby summer season of 2008 is just about to explode and the creme of electronic dance music is all but departed to their summer positions. while already packing their suitcases, jesus loved you crew still found time to release yet another in their grand series of records. the occasion was right and so was the choice: what better way to start the rockiest time of the year then to make public this exquisite collection, put together by one of the ibizas finest! guys like wally lopez hardly need to be introduced: playing with the most excellent and producing for the best position, wally lopez is widely considered to be one of spains leading deejays and producers. although he is working in london most of the time, mediterranean temper still runs through his veins always making his music sound positive and cheerful. in wideband wally lopez gives way to his love for bouncy rhythms and dramatic bridges taking us on a journey through his ever-changing soundscape. with a fine touch for the more relaxed ambience of summer partying, he keeps his base line low and gives way for his exciting melodies to develop freely

third and last single taken from the massive album >a cheerful temper< big with john digweed on radio 1 !! played by john acquaviva, marc romboy, sander kleinenberg, dj fex & martin eyerer >a cheerful temper<, the name of robert babiczs debut album for systematic rec is arguably the best way to describe the cologne based pole. babicz explains that he feels caught between two worlds: >the real world of everyday life and a surreal dream world comparable to the backdrop of a fairy tale.< vinyl comes in three parts, this is the 3nd one..!

the >lucknlove ep< by munich based producer and dj max cavalerra comes along in karmarouges typical warmness, with lots of energy in rhythm and in an emotional sunny spellbound robe. picturesque sounding melodies are moving in bewitching clarity and danceable elegance among minimalist harmonies and playful techno rhythms. three tracks, each a unicum with distinctive temper and recognition value. three tracks filled with heart’s blood and emotions that stand in times of great love as well as in times of huge desperation solid as a rock.max cavalerra has produced with his >lucknlove ep< a record that evolves a unique style of sound, influenced and inspired by techno, jazz, classical music and ambien

first single taken from the massive album >a cheerful temper< big with john digweed on radio 1 !! played by john acquaviva, marc romboy, sander kleinenberg, dj fex & martin eyerer >a cheerful temper<, the name of robert babiczs debut album for systematic recordings is arguably the best way to describe the cologne based pole. answering the question why he is choosing this specific name, babicz explains that he feels caught between two worlds: >the real world of everyday life and a surreal dream world comparable to the backdrop of a fairy tale.< vinyl comes in three parts, this is the 1st one

mas mooy is working his way toward worl-wide fame with his audio assault label and his productions on patterns, planet rhythm, mastertraxx, submissions and temper. together with another rotterdam based price of darkness called vincent de, these men delivers four banging techno tracks for the demon side

scanning for virus starts with an hard and uplifting drumwork, analogue lines and a dominate bassline bring the track to the highest level within the first seconds….at the push of a button!scanning for virus is pure funk, pure house to describe it just in two word and for sure absolutly peak time guaranteed…and you think that s all there is? keep you temper….on the flip you will find another remix by no one else than super-mastermind and producer of the year claude van stroke, more reduced, more minimal but also to the point.no question, this release seems to be the best on made to play so far,stunning!

strong electropop compilation

vol.2 of 2 >> excellent electro - retro - techno tunes!!!

3cd edition in 3-panel digisleeve with 8-page booklet, complete 2019 remaster of all the original tracks

2cd mix set, cd 1 by klaus stockhausen , cd 2 by boris dlugosch

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

fuer clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken gelšster, weil man beim umgang mit material anderer kuenstler mehr freiheiten genie§t.

bonus disc with remixes from eric prydz , tiesto, the temper trap, crookers, atfc, plus 4 videos